

The threads have become part of the pattern.
A hand hangs over the top of an eight foot panel. Black threads run from its fingers down to a kneeling woman, her head bowed, grey wings open behind her. Beholden is an exclusive work, four feet by eight, made entirely by hand by Saumya Kashyap. It is a comment on women, their agency and the idea of freedom, and it is unsettling because of where the threads end up.
“Chains remain external to the person they restrain. The threads in Beholden participate in the construction of the woman herself. They suggest that power has entered the formation of her identity. The controlling hand is no longer merely outside her. Its instructions have become part of the pattern through which she understands herself.”









